Three Thousand ...(2022) !!LINK!!
Three Thousand Years of Longing is a 2022 fantasy romantic drama film directed and produced by George Miller. Written by Miller and Augusta Gore, it is based on the short story "The Djinn in the Nightingale's Eye" by A. S. Byatt and stars Idris Elba as a djinn who is unleashed from a bottle by a professor (Tilda Swinton) and tells her stories from his thousands of years of existence. The film is dedicated to Miller's mother Angela, as well as Rena Mitchell, relative of producer Doug Mitchell.
Three Thousand ...(2022)
Alithea Binnie is a British scholar who occasionally suffers from hallucinations of demonic beings. During a trip to Istanbul, Alithea purchases an antique bottle and unleashes the Djinn trapped within it. The Djinn offers to grant Alithea three wishes, so long as each one is truly her heart's desire, but Alithea argues that wishing is a mistake, accusing the Djinn of being a trickster. She tells him that when she was a child, she built herself an imaginary friend in the form of young boy and even imagined his whole life (which she wrote in a diary) but she finally decided to forget about him, fearing to be overwhelmed by her own imagination. In response, the Djinn proceeds to tell her three tales of his past and how he ended up trapped in the bottle.
Three years later, Alithea has written a book containing all the stories that the Djinn told her, like she once did with her childhood imaginary friend. Though expecting never to see him again, the now-healthy Djinn visits Alithea three years later and periodically returns throughout her lifetime.
In the United States and Canada, it was released alongside The Invitation and Breaking.[5] It made $1.4 million on its first day[25] and went on to debut with $2.9 million from 2,436 theaters on its opening weekend.[26] Variety called it "a terrible result for a movie that's playing in thousands of theaters across the country", and noted that it would be one of the biggest box office bombs of 2022, with industry experts blaming lack of marketing and the wide-release strategy.[27] TheWrap, while acknowledging its box office underperformance, noted the film could still turn a profit for MGM after it went to streaming, as the company spent only $6 million on domestic distribution rights.[28] In its second weekend, the film made $1.5 million (and a total of $1.9 million over the four-day Labor Day frame), dropping 47.1% and finishing 13th.[29]
A solitary scholar discovers an ancient bottle while on a trip to Istanbul and unleashes a djinn who offers her three wishes. Filled with reluctance, she is unable to come up with one until his stories spark in her a desire to be loved.
Tilda Swinton stars as a scholar who encounters a Djinn (Idris Elba), who offers her three wishes in exchange for his freedom. Their conversation, unfolding in a hotel room in Istanbul, leads to consequences neither expected.
Three Thousand Years of Longing is both written and directed by acclaimed Australian filmmaker George Miller, his latest work since Mad Max: Fury Road, and one of his most complex and humanistic movies so far. Tilda Swinton stars as Alithea, a smarmy bookish woman who prefers to be single and entirely on her own. She arrives in Istanbul to participate in a presentation on storytelling as a "narratologist" - someone who analyzes stories and their connections throughout human history. In her hotel in Istanbul, she opens a tiny bottle and meets a Djinn, essentially evoking the classic genie-in-a-bottle myth also found in Aladdin and The Thief of Bagdad. Idris Elba plays her Djinn, a big, burly man who speaks clearly and convincingly, and they quickly descend into a mind-expanding conversation that delves into various tales of people from the past. The Djinn asks her her to make her three wishes, but she can't; not only does she have nothing to wish for, she doesn't believe any of it is real anyway. But he assures her it is real by regaling her with stories of his past and his experiences with humanity and love and death and everything else that comes between.
To top off all the visual grandeur and spectacular stories, Three Thousand Years of Longing also features composer Tom Holkenborg's (aka Junkie XL) best score since Mad Max: Fury Road - which is an album I listen to all the time when my mind needs to be revved up. It's another exceptionally moving and kinetic score that helps elevate the movie even further and make it a mystical, magical, sweeping experience that spans thousands of years. In all honesty, I think the movie will will be too honest and vibrant for some, it's beautifully endearing and confronts some people so directly they won't be able to stand it. It connected with me, but I know it won't connect with everyone. Miller's Three Thousand Years of Longing is a challenge to those who feel content with loneliness, wrapped in their blankets of cynicism. It's as much about the power of storytelling as it is about the power of love and desire. It's about how meaningful companionship and connection are, to every last one of us, even if we insist otherwise. I'm looking forward to revisiting it again.
Given that failure to grant wishes will doom the unnamed djinn to further confinement or even oblivion, he has to convince her. This he does by telling stories of his eventful past, three fantastical tales in which his weakness for mortal female companionship landed him back in the bottle for millennia.
Miller clearly always has had an attraction for mutations of the mythical, and there are plenty of these here, as the Djinn guides Alithea through three different episodes, in exchange for which he will theoretically be granted his freedom. The first of these involves the Queen of Sheba, which is a story of unrequited love; the second involves a slave girl from the court of Suleiman; the third involves a love story gone awry in the 1850s.
The intriguing plot, for which details are being kept under wraps, revolves around the encounter between a scholar and a djinn who offers her three wishes in exchange for his freedom. Their conversation, in a hotel room in Istanbul, leads to consequences neither would have expected.
The Djinn tells Alithea that he was trapped in the bottle roughly three millennia ago by King Solomon. The only way for him to be freed is to grant three wishes to any human who possesses the bottle. You'd think that Alithea would jump at the chance, but being an expert on stories, she knows that wishes have a way of backfiring. And so she refuses to play along.
Parents need to know that Three Thousand Years of Longing is a fantasy drama about storytelling. Based on A.S. Byatt's short story "The Djinn in the Nightingale's Eye," it uses the "three wishes" story device to explore the idea of humanity's "deepest desire." If you think that sounds like sex, you're not entirely wrong -- there are several sexual situations, though they're more about intercourse as a means to an end than explicit passion. And there's a lot of graphic nudity, particularly on the part of voluptuous concubines (portrayals that, on the upside, challenge modern Western beauty ideals). The movie takes place in Istanbul, and the stories are about the Turkish people, covering historical figures and eras from the Queen of Sheba to the Ottoman Empire. Violence includes war battles with wounded and dead humans and horses, plus assassinations that are harsh but not gory. Counter-stereotypical gender representations include a masculine genie (Idris Elba) who's sensitive and vulnerable and a single older woman (Tilda Swinton) who's happy with her solitary, child-free, intellectually stimulating life. There's one use of "f--k" for a laugh.
In THREE THOUSAND YEARS OF LONGING, Alithea (Tilda Swinton) is a scholar living a content life of solitude. While attending an academic conference in Istanbul, she finds a djinn (Idris Elba), who grants her three wishes in exchange for his freedom. The movie is adapted from A.S. Byatt's short story "The Djinn in the Nightingale's Eye."
Methods: The Registry of Prosthetic Orthopaedic Implant (RIPO) was consulted, looking for all primary THAs implanted from 2000 to 2019. Three thousand seven hundred ten were dual-mobility cup (DM) total hip arthroplasties (THA) and 85.816 were standard cup (SC) THAs, on a total of 89.526 primary THA. Demographics, survival rates and causes of revision were evaluated and compared between the two groups.
Dr. Alithea Binnie (Tilda Swinton) is fascinated by stories from all over the world and she delights in sharing them with others. Traveling to Istanbul for a Narratology or story-teller conference, she comes across a bottle, misshapen by fire and yet intriguing enough for her to buy it. Once in her room, she rubs it and, just like in the story of Aladdin, a powerful Djinn or genie emerges, and he is eager to grant her three (3) wishes.
Dr Alithea Binnie is an academic - content with life and a creature of reason. While in Istanbul attending a conference, she happens to encounter a Djinn who offers her three wishes in exchange for his freedom.This presents two problems. First, she doubts that he is real and second, because she is a scholar of story and mythology, she knows all the cautionary tales of wishes gone wrong. The Djinn pleads his case by telling her fantastical stories of his past. Eventually she is beguiled and makes a wish that surprises them both.
The visually sumptuous fantasy casts Swinton as a narratologist visiting Istanbul when she cleans a bottle with an electric toothbrush and unleashes a djinn (Elba) who'll grant her three wishes. She's heard this cautionary tale before, but the two form a bond as he weaves sprawling tales of his past, including his great loves. Before the bonkers action of the iconic "Fury Road," Miller crafted an extremely effective emotional journey with the pig-led heartwarmer "Babe," and although "Years" looks fabulous, the storytelling sorely lacks the same needed soulful connection. 041b061a72